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Polish Portrait Painters

Jenkins served for a time as a liason to the Polish Army in Exile. He describes Michalski, one of the Polish aides-de-camp of his acquaintance: “Of large size, sceptical about most matters, he belonged to the world of industrial design — … Continue reading

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Emotional Colors

Stringham tells Nick about the time Lord Bridgnorth’s butler served macaroni to His Royal Highness the Duke of Connaught but failed to provide a plate on which to eat it. “I shall never forget my ex-father-in-law’s face, richly tinted at … Continue reading

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An Engraved Illustration of the Gunpowder Plot

Jenkins describes eating with General Liddament and his  staff: “A single lamp threw a circle of dim light round the dining table of the farm parlour where we ate, leaving the rest of the room in heavy shadow, dramatising by … Continue reading

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Barnby’s Murals Destroyed

We have been avoiding writing about Barnby’s frescoes for the Donners Brebner building because we know so little about them. They were commissioned by Sir Magnus Donners, completed about 1928, and received “a great deal of public attention.” [AW 31/24, CCR 14/9] Now … Continue reading

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Egyptian Deities at General Liddament’s Mess

Nick attends the mess of General Liddament, a severe presence who is flanked at table by two colonels: “Here was Pharaoh, carved in the niche of a shrine between two tutelary deities who shielded him from human approach.  All was … Continue reading

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Rainy Day at Marrakesh

In At Lady Molly’s Nick was introduced by Chips Lovell to the the bohemian home of Molly and Ted Jeavons.  There, amid priceless art works by Wilson and Greuze hung pastels by an unknown artist of Moroccan subjects.  Now, during … Continue reading

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Pieter Bruegel the Elder

  On a tiresome train ride to London, Nick takes up conversation with an un-characteristically cultured fellow officer called David Pennistone, destined to become his long-time friend. “‘Talking of Vienna,’ he said, ‘did you ever have the extraordinary experience of … Continue reading

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An Ironside in a Victorian Illustration

Jenkins describes Company-Sergeant Major Cadwallader as “cleanshaven, with the severely puritanical countenance of an Ironside in a Victorian illustration to a Cavalier-and-Roundhead romance.” [VB 10/6]. The English Civil Wars (1642-1651) pitted the Cavaliers (followers of King Charles I and King Charles … Continue reading

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Meissonier-like Imagery

Jenkins meets Captain Rowland Gwatkin, the commander of his company, early in VB, and Gwatkin is a central character of this volume. Jenkins reflects on Gwatkin: “There was an air of resolve about him, the consciousness of playing a part … Continue reading

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Officers in Wonderland

We have already seen Powell’s propensity to compare his characters to those from Lewis Carroll, as envisioned by Sir JohnTenniel (The Mad Hatter, The Frog Footman, The Red Queen.) He does this again as Jenkins describes his fellow officers:   “Almost all the … Continue reading

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