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Anthony Powell — The Artist as a Young Man
Powell is known as a novelist and book critic, but he probably began drawing before he knew how to write. In his autobiography, he relates that by the time he was six, his drawings, including a Mephistopheles, were shown to a visitor to his family. The term Post Impressionism (then recently introduced by Roger Fry) was bantered as the pictures were critiqued. He began at Eton in 1919 and took Extra Drawing from the drawing master Sidney Evans, who first told him of Picasso and Matisse. At Eton he drew for an art magazine, The Eton Candle (1922) , and at Oxford, which he attended from 1923 to 1026, his drawings appeared in another magazine, The Cherwell. His drawing Colonel Caesar Cannonbrains of the Black Hussars (1922) is reproduced in To Keep the Ball Rolling (p56).
Monthly Archives: February 2015
Huge Pictures of the Olympian Gods
Mr Deacon painted huge pictures of the Olympian gods but shunned the “female form divine,” [TKO 83/ 80] In A Buyer’s Market, Jenkins introduced Mr. Deacon and told us much about his art and his antecedents (for examples, see our posts, Mr. … Continue reading
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Insulting a Priest
About 1929, Moreland and Jenkins are discussing the role of action in artistic creation. Moreland asks: “Is art action, an alternative to action, an enemy of action, or nothing whatever to do with action?” Jenkins replies: “Ask the Surrealists. They … Continue reading
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Zealots of All Sorts
As part of his introduction of Dr. Trelawney, Jenkins writes: “Simple-lifers, utopian socialists, spiritualists, occultists, theosophists, quietists, pacficists, futurists, cubists, zealots of all sorts in their approach to life and art … were then [1914] thought of by the unenlightened … Continue reading
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Indian Decor
Stonehurst, where the Jenkins were living in 1914, had been furnished by its former owners in a style reflecting their prior service in India. “In the hall the brass gong was suspended from the horn or tusk of some animal; … Continue reading
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Mr. Lloyd George
The Kindly Ones (TKO) begins with young Jenkins helping Albert lock-up for the night. Jenkins examines “a coloured picture, fastened to the wall by four rusting drawing-pins, of Mr. Lloyd George, fancifully conceived as extending from his mouth an enormous scarlet … Continue reading
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