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Anthony Powell — The Artist as a Young Man
Powell is known as a novelist and book critic, but he probably began drawing before he knew how to write. In his autobiography, he relates that by the time he was six, his drawings, including a Mephistopheles, were shown to a visitor to his family. The term Post Impressionism (then recently introduced by Roger Fry) was bantered as the pictures were critiqued. He began at Eton in 1919 and took Extra Drawing from the drawing master Sidney Evans, who first told him of Picasso and Matisse. At Eton he drew for an art magazine, The Eton Candle (1922) , and at Oxford, which he attended from 1923 to 1026, his drawings appeared in another magazine, The Cherwell. His drawing Colonel Caesar Cannonbrains of the Black Hussars (1922) is reproduced in To Keep the Ball Rolling (p56).
Monthly Archives: July 2013
The Pharisee, again
Stringham brought his horse prints with him to his Oxford rooms. A vistor, Bob Duport, sees the print of The Pharisee and says, “I’ve never seen a jock on land, or sea, sit a horse like that.” (QU 185/191) “‘Put … Continue reading
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Monet weather
Jenkins, Stringham, and Members leave Sillery’s together: “Rain had been falling while we were at tea, but the pavements were now drying under wooly sky. ‘What very Monet weather it has been lately,’ said Members, almost to himself. ” [QU … Continue reading
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The Dying Gladiator
Later at Sillery’s, “Members rose suddenly from the sofa and cast himself with a startling bump, almost full length on the floor in front of the fire place: exchanging in this manner his Boyhood-of-Raleigh pose for that of the Dying … Continue reading
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