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Anthony Powell — The Artist as a Young Man
Powell is known as a novelist and book critic, but he probably began drawing before he knew how to write. In his autobiography, he relates that by the time he was six, his drawings, including a Mephistopheles, were shown to a visitor to his family. The term Post Impressionism (then recently introduced by Roger Fry) was bantered as the pictures were critiqued. He began at Eton in 1919 and took Extra Drawing from the drawing master Sidney Evans, who first told him of Picasso and Matisse. At Eton he drew for an art magazine, The Eton Candle (1922) , and at Oxford, which he attended from 1923 to 1026, his drawings appeared in another magazine, The Cherwell. His drawing Colonel Caesar Cannonbrains of the Black Hussars (1922) is reproduced in To Keep the Ball Rolling (p56).
Monthly Archives: June 2016
The Cubist Blocks
Gwinnett tells Jenkins that Louis Glober is staying at the Bragadin Palazzo, which prompts Jenkins to recall meeting Glober in London in the late 1920s. Glober visited Duckworth’s to discuss a project with Daniel Tokenhouse. “The suggestion was to produce … Continue reading
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Pennell’s Life of Whistler
In Venice, Jenkins reminisces about being there as a boy with his parents. This leads to an anecdote about his father’s two volume set of Pennell’s Life of Whistler, “a painter he admired,” which he bought in Paris because the French edition had … Continue reading
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Mona Lisa Stolen from the Louvre
Jenkins recalls his father’s aesthetic tastes: “He never stood in front of the Mona Lisa without remarking that, in the eyes of trivial people, the chief interest of Leonardo’s masterpiece was to have once been stolen from the Louvre.” [TK … Continue reading
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