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Anthony Powell — The Artist as a Young Man
Powell is known as a novelist and book critic, but he probably began drawing before he knew how to write. In his autobiography, he relates that by the time he was six, his drawings, including a Mephistopheles, were shown to a visitor to his family. The term Post Impressionism (then recently introduced by Roger Fry) was bantered as the pictures were critiqued. He began at Eton in 1919 and took Extra Drawing from the drawing master Sidney Evans, who first told him of Picasso and Matisse. At Eton he drew for an art magazine, The Eton Candle (1922) , and at Oxford, which he attended from 1923 to 1026, his drawings appeared in another magazine, The Cherwell. His drawing Colonel Caesar Cannonbrains of the Black Hussars (1922) is reproduced in To Keep the Ball Rolling (p56).
Monthly Archives: June 2013
The Boyhood of Raleigh
When Quiggins arrives at Sillery’s party, the host asks Mark Members to make room for him on the sofa. Members “drew away his legs, hitherto stretched the length of the sofa, and brought his knees right up to his chin, … Continue reading
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St. Laurence and his Gridiron
Jenkins room at Madame Leroy’s had “a picture in cheerful color’s of St. Laurence and his gridiron (QU 110) The sole adornment of Nick’s austere apartment at Madame Leroy’s boarding house is “a picture, in cheerful colours, of St. Laurence … Continue reading
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An Elderly Grognard
Jenkins, in France for a summer of language study, rides with a taxi driver, who looks like “a Napoleanic grenadier, an elderly grognard … depicted in some academic canvas of patriotic intent” (QU 108). To envision this French taxi driver, we … Continue reading
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Horace Isbister, R.A.
The fashionable Horace Isbister, R.A., painted Templer’s father: “a portrait of himself hanging on the wall above him –the only picture in the room– representing its subject in a blue suit and hard white collar. The canvas, from the hand … Continue reading
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Jean Templer recalls Old Master drawings.
The Narrator recalls his first glimpse of Peter Templer’s sister Jean: “her face was thin and attenuated, the whole appearance given the effect of a much simplified — and somewhat self-conscious — arrangement of lines and planes, such as might … Continue reading
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Embarkation Scenes from Claude Lorraine
Jenkins goes with his friend Peter Templer to visit the Templer home, set on a cliff above the sea. Jenkins first sees the enormous villa with a backdrop of clouds and olive green waves as “a sea-palace for a version … Continue reading
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Mrs. Foxe’s Apartment
In about 1921 Jenkins visits Stringham’s mother, Mrs. Foxe, and stepfather, Buster, at their Berkeley Square apartment, whose opulence takes Nicholas back a century. He enters the library, “generally crimson in effect, containing a couple of large Regency bookcases. A … Continue reading
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The Race Horse Prints
The narrator, describing Stringham’s room at school, notes hanging on the wall “two late eighteenth- century coloured prints of racehorses (Trimalchio and The Pharisee), with blue chinned jockeys” (QU 9/13 ). The sport of horse racing was led by the … Continue reading