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Anthony Powell — The Artist as a Young Man
Powell is known as a novelist and book critic, but he probably began drawing before he knew how to write. In his autobiography, he relates that by the time he was six, his drawings, including a Mephistopheles, were shown to a visitor to his family. The term Post Impressionism (then recently introduced by Roger Fry) was bantered as the pictures were critiqued. He began at Eton in 1919 and took Extra Drawing from the drawing master Sidney Evans, who first told him of Picasso and Matisse. At Eton he drew for an art magazine, The Eton Candle (1922) , and at Oxford, which he attended from 1923 to 1026, his drawings appeared in another magazine, The Cherwell. His drawing Colonel Caesar Cannonbrains of the Black Hussars (1922) is reproduced in To Keep the Ball Rolling (p56).
Monthly Archives: March 2016
The Bucentaur
Jenkins listens to a Venetian singer with Dr. Emily Brightman and reflects: At the beginning of the century, Marinetti and the Futurists had wanted to make a fresh start — whatever that might mean — advocating, among other projects, filling … Continue reading
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King Cophetua and the Beggar Maid
Jenkins visits Trapnel and Pamela Fitton in their apartment: He [Trapnel] gave her one of those ‘adoring looks’ that Lermontov says means so little to women. Pamela stared back at him with an expression of complete detachment. I thought of King … Continue reading
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The Modigliani Drawing
Jenkins and Roddy Cutts return with Widmerpool to his flat. Pamela Fitton is not up and about yet. Widmerpool glanced around the room and made a gesture of simulated exasperation. ‘She’s been altering the pictures again. Pam loves doing that — … Continue reading
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The Roosevelt Statue
In the House of Commons, Jenkins and Cutts happen upon Widmerpool, who says: I’m glad to come on you both. First of all, my dear Cutts, I wanted to approach you regarding a little non-party project I have on hand … Continue reading
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