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Anthony Powell — The Artist as a Young Man
Powell is known as a novelist and book critic, but he probably began drawing before he knew how to write. In his autobiography, he relates that by the time he was six, his drawings, including a Mephistopheles, were shown to a visitor to his family. The term Post Impressionism (then recently introduced by Roger Fry) was bantered as the pictures were critiqued. He began at Eton in 1919 and took Extra Drawing from the drawing master Sidney Evans, who first told him of Picasso and Matisse. At Eton he drew for an art magazine, The Eton Candle (1922) , and at Oxford, which he attended from 1923 to 1026, his drawings appeared in another magazine, The Cherwell. His drawing Colonel Caesar Cannonbrains of the Black Hussars (1922) is reproduced in To Keep the Ball Rolling (p56).
Monthly Archives: August 2015
Gericault’s Raft of the Medusa
Géricault’s Raft of the Medusa Nick enjoys lunching with the Free French at their headquarters in London. “Their headquarter mess in Pimlico was decorated with an enormous fresco, the subject of which I always forgot to enquire. Perhaps it was … Continue reading
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A Corot Landscape
A Corot landscape Nick and Flynn are flown to Normandy in the company of military attaches from allied nations across the globe. They drive through scenes of recent battles, evidenced by wrecked armored vehicles strewn across the landscape. “This residue … Continue reading
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Polish Portrait Painters
Jenkins served for a time as a liason to the Polish Army in Exile. He describes Michalski, one of the Polish aides-de-camp of his acquaintance: “Of large size, sceptical about most matters, he belonged to the world of industrial design — … Continue reading
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Emotional Colors
Stringham tells Nick about the time Lord Bridgnorth’s butler served macaroni to His Royal Highness the Duke of Connaught but failed to provide a plate on which to eat it. “I shall never forget my ex-father-in-law’s face, richly tinted at … Continue reading
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