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Anthony Powell — The Artist as a Young Man
Powell is known as a novelist and book critic, but he probably began drawing before he knew how to write. In his autobiography, he relates that by the time he was six, his drawings, including a Mephistopheles, were shown to a visitor to his family. The term Post Impressionism (then recently introduced by Roger Fry) was bantered as the pictures were critiqued. He began at Eton in 1919 and took Extra Drawing from the drawing master Sidney Evans, who first told him of Picasso and Matisse. At Eton he drew for an art magazine, The Eton Candle (1922) , and at Oxford, which he attended from 1923 to 1026, his drawings appeared in another magazine, The Cherwell. His drawing Colonel Caesar Cannonbrains of the Black Hussars (1922) is reproduced in To Keep the Ball Rolling (p56).
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Jenkins reads Proust
Reading Remembrance of Things Past one night in bed, Jenkins is struck by a passage that he quotes extensively. The writing is typically Proustian: a memoir of a conversation that The Narrator had with the Turkish Ambassadress at a party given by … Continue reading
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The Cenotaph
Jenkins and Farebrother walk together into Whitehall. Farebrother suddenly raised his arm in a stiff salute. I did the same, taking my time from him, though not immediately conscious of whom we were both saluting. Then I quickly apprehended that … Continue reading
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Royal Portrait of King Leopold
Jenkins, sent to the Cabinet Offices to pick up some Belgian papers, reflects: The position of the King of the Belgians was delicate. Formally accepted as monarch of their country by the Belgian Government in exile, the royal portrait hanging … Continue reading
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Gainsborough Hats
At the theater, Nick sees Prince Theodoric sitting with Lord Huntercombe, both wearing dark suits, and Lady Huntercombe, “in a rather different role implied by her pre-war Gainsborough hats” who “was formidable in Red Cross commandant’s uniform.” [MP 103/98] Nick has previously … Continue reading
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Memling, Teniers, Brouwer
Memling, Teniers, Brouwer While overseeing the Belgian attaches in London, Nick muses: On the whole, a march-past of Belgian troops summoned up the Middle Ages or the Renaissance, emaciated, Memling-like men-at-arms on their way to supervise the Crucifixion or some … Continue reading
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A Bust of Kitchener
Jenkins mentions a bust of Lord Kitchener seen as one climbed the staircase at the War Office. He sees “Kitchener’s cold angry eyes, haunting and haunted, surveying with deepest disapproval all who came that way.” [MP 55/51, 59/54] Lord Horatio … Continue reading
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Outside the Army Council Room
Jenkins, on his way to Finn’s office on the second floor, notes the decor: Outside the Army Council Room, side by side on the passage wall, hung, so far as I knew, the only pictures in the building, a pair … Continue reading
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Sporting Prints
Jenkins, speaking of their Polish counterparts, asks Pennistone, You put them through their literary paces as a matter of routine? … Pennistone laughed at the thought. Though absolutely dedicated to his duties with the Poles, he also liked getting as … Continue reading
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Gericault’s Raft of the Medusa
Géricault’s Raft of the Medusa Nick enjoys lunching with the Free French at their headquarters in London. “Their headquarter mess in Pimlico was decorated with an enormous fresco, the subject of which I always forgot to enquire. Perhaps it was … Continue reading
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A Corot Landscape
A Corot landscape Nick and Flynn are flown to Normandy in the company of military attaches from allied nations across the globe. They drive through scenes of recent battles, evidenced by wrecked armored vehicles strewn across the landscape. “This residue … Continue reading
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