-
Recent Posts
Recent Comments
Tony Marshall on The Duport Collection At the Isbister Memo… on A Pictograph of Widmerpoo… vgreig007 on Aubrey Beardsley Tokenhouse III: Plei… on Gauguin and Rimbaud Virginia on Trajan’s Column Archives
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- May 2016
- March 2016
- February 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- June 2013
- May 2013
Categories
Meta
Anthony Powell — The Artist as a Young Man
Powell is known as a novelist and book critic, but he probably began drawing before he knew how to write. In his autobiography, he relates that by the time he was six, his drawings, including a Mephistopheles, were shown to a visitor to his family. The term Post Impressionism (then recently introduced by Roger Fry) was bantered as the pictures were critiqued. He began at Eton in 1919 and took Extra Drawing from the drawing master Sidney Evans, who first told him of Picasso and Matisse. At Eton he drew for an art magazine, The Eton Candle (1922) , and at Oxford, which he attended from 1923 to 1026, his drawings appeared in another magazine, The Cherwell. His drawing Colonel Caesar Cannonbrains of the Black Hussars (1922) is reproduced in To Keep the Ball Rolling (p56).
Tag Archives: Constant Lambert
Bronzino’s Folly
On first meeting Hugh Moreland, Nick describes his physical appearance: “Moreland, like myself, was then in his early twenties. He was formed physically in a ‘musical’ mold, classical in type, with a massive, Beethoven-shaped head, high forehead, temples swelling outwards, … Continue reading
picturesinpowell 